• Rip currents are like hidden rivers near the shore that head out to sea. An unexperienced swimmer or surfer can get caught in one, panic, and drown. So The Sydney Morning Herald put together a guide on how to spot rips. The mix of video and graphics makes things more clear, as they better represent what people will actually see at the beach. And the overheads for many major beaches in Australia are also helpful. [Thanks, Neville]

  • Data is an abstraction, and it’s impossible to encapsulate everything it represents in real life. So there is uncertainty. Here are ways to visualize the uncertainty.

  • The Obliteration Room (2012) by artist Yayoi Kusama started as a blank white room and ended as a room completely covered by dotted stickers.

    It’s like the early stages of a Reddit April Fool’s joke.

  • Sports are growing more international with respect to the athletes. Gregor Aisch, Kevin Quealy, and Rory Smith for The Upshot show by how much, with a focus on leagues in Europe and North America.

    I like how: The dominant home country in each chart doubles as background and a layer; the tooltip shades the country you moused over while still showing the other countries; and the missing data and gaps are shown clearly but don’t obstruct the overall view.

  • January 3, 2018

    Topic

    Coding  / 

    If you’re looking to acquaint yourself with R — the non-coding aspects of the language — the brief Field Guide to the R Ecosystem by Mark Sellers might help.

    Perhaps, you’re a hobbyist R user, who’d like to provide more information to your company in order to make a case for adopting R? Maybe you’re part of a support team who’ll be building out infrastructure to support R in your business, but don’t know the first thing about R. You might be a manager or executive keen to support the development of an advanced analytics capability within your organisation. In all of these cases, the field guide should be useful to you.

    Useful.

    If you want to learn coding with R though, get into tutorials and examples, and you pick up the stuff in this guide in the process of learning.

  • People often use animated GIFs to digitally express caricatures of emotion or reaction. So when you look at the most distinct ones of various countries associated with specific emotions, you get sort of a caricature for each region. Amanda Hess and Quoctrung Bui for The Upshot looked.

    I wonder what the GIFs look like for people who are less likely to display emotion. Does the straight face cross over to GIF usage, or is there a dichotomy of real-life and digital self? I must know.

  • Treepedia, from the MIT Senseable City Lab, estimates perceived tree cover at the street level. They used panorama views from Google Street View to form a “Green View Index”, which they then mapped for major cities.

    Treepedia measures the canopy cover in cities. Rather than count the individual number of trees, we’ve developed a scaleable and universally applicable method by analyzing the amount of green perceived while walking down the street. The visualization maps street-level perception only, so your favorite parks aren’t included! Presented here is preliminary selection of global cities.

  • One of my favorite childhood memories is the time I went camping and saw the Big Dipper for the first time. There weren’t any lights in the mountains to diffuse the view of the sky. Sriram Murali uses time-lapse to demonstrate. Queue the ethereal music:

    [via kottke]

  • It was a rough year, which brought about a lot of good work. Here are my favorite data visualization projects of the year.

  • Based on data from CAL FIRE, Erin Ross, for Axios, plotted California wildfires that spanned at least 300 acres since 2000. Each triangle represents a fire, where the height represents acres burned (width is the same for all triangles) and color represents duration. The fires appear to be burning hotter and longer.

    I wonder if it’s worth doubling up on the triangle encoding by using width to represent duration, similar to the Washington Post graphic made during the elections.

  • Fire spread over Los Angeles, but the famous art works in the Getty Center stayed put. John Schwartz and Guilbert Gates reporting for The New York Times:

    The Getty’s architect, Richard Meier, built fire resistance into the billion-dollar complex, said Ron Hartwig, vice president of communications for the J. Paul Getty Trust. These hills are fire prone, but because of features like the 1.2 million square feet of thick travertine stone covering the outside walls, the crushed rock on the roofs and even the plants chosen for the brush-cleared grounds, “The safest place for the artwork to be is right here in the Getty Center,” he said.

    It’s a short visual piece, but I found the forethought in building design and the straightforward graphics fascinating.

  • Hundreds of thousands of families were displaced in the 1950s under “urban renewal” programs. The families were disproportionately minorities. Renewing Inequality, from a research group at the University of Richmond’s Digital Scholarship Lab, revisits the topic and how it reflects in the present.

    Renewing Inequality presents a newly comprehensive vantage point on mid-twentieth-century America: the expanding role of the federal government in the public and private redevelopment of cities and the perpetuation of racial and spatial inequalities. It offers the most comprehensive and unified set of national and local data on the federal Urban Renewal program, a World War II-era urban policy that fundamentally reshaped large and small cities well into the 1970s.

    Many of the people displaced never receive promised compensation or fair market value for their property, which is kind of messed up.

    Learn.

  • Oh. It’s that time of year already. Time to hate on the rainbow color scale, which is still prevalent but equally less useful than alternatives. Matt Hall provides (scientific!) reasons for looking to scales that don’t include the full spectrum and some solutions.

    We know what kind of colourmaps are good for interpretation: those that increase linearly and monotonically in brightness, with no jumps or stripes of luminance. I’ve linked to lots of places where you can read about these — see the end of the post. You already know one perceptual colourmap: the humble Greyscale. But there are lots of others, so let’s start with one of them.

  • Statistics professor Di Cook was one of the first people I ever talked to about visualization. She has a short Q&A over at StatsChat.

    I spent a few years doing that [a research assistant] and then realised I’d really like to make art, because some of the research-assistant work I was doing was computer graphics for data online. It fed into my art instincts from teenage years, so I spent some time as an artist before finding a graduate programme in statistics in the US that focused on data visualisation.

  • If you want to analyze bodies of text, it’s a good to know how to use regular expressions. That way you can programmatically extract complex text patterns instead of marking and encoding items manually. Thomas Nield for O’Reilly provides an introduction:

    Many data science, analyst, and technology professionals have encountered regular expressions at some point. This esoteric, miniature language is used for matching complex text patterns, and looks mysterious and intimidating at first. However, regular expressions (also called “regex”) are a powerful tool that only require a small time investment to learn. They are almost ubiquitously supported wherever there is data.

    Nield says it isn’t a steep learning curve, which I agree with, but I would suggest not trying to learn every part of the syntax. Learn it piecewise, and it’ll seem like less of a jumble of brackets, periods, and question marks.

    See also the RegExr. It’s an interactive tool that lets you paste a body of text and then enter regular expressions to see what matches your given pattern in real-time.

  • The New York Times is back at it in explaining the creative process. A couple of years ago they explained the making of a Justin Bieber song. This time they talked to Ed Sheeran and his collaborators about the making of their hit song Shape of You. The musicians talk and the visualization serves as a backdrop.

  • Hearing about machine learning and algorithms a lot recently and not sure what that means? CGP Grey explains:

  • For the past few months, Cards Against Humanity polled the American public to ask important questions such as whether or not it is okay to pee in the shower.

    To conduct our polls in a scientifically rigorous manner, we’ve partnered with Survey Sampling International — a professional research firm — to contact a nationally representative sample of the American public. For the first three polls, we interrupted people’s dinners on both their cell phones and landlines, and a total of about 3,000 adults didn’t hang up immediately. We examined the data for statistically significant correlations, and boy did we find some stuff.

    The poll is in the context of political leanings, which leads to some interesting cross-sections.

    Maybe the best part though is that CAH will continue to poll for a full year, and you can download the data, which I am sure makes for a fun class project. They are also asking social scientists for question suggestions that would otherwise go unasked by more traditionally funded public polling.

  • Here’s a different look at tax cuts and increases from Reuben Fischer-Baum for The Washington Post. As Fischer-Baum points out, keep in mind that these are just estimates and they calculations vary:

    Analyses that use data from real taxpayers as their starting point – like the calculator put together by the New York Times – produce lower estimates. Other calculators like the one put together by the Wall Street Journal produce similar results to ours. For example, a household in D.C. filing jointly with two kids under 17, earning a total of $150,000 and itemizing $20,000 gets a tax cut of $3,796 in our analysis. Roughly equivalent inputs to the New York Times calculator produces an estimated range of a $1,020 to $3,280 cut, while the Wall Street Journal calculator – which is based on the less generous House bill – produces a cut of $3,230.

  • I’m pretty sure this is all that most people want to know. The Upshot provides a tax calculator that considers the Republican tax bill and the variation of taxes between households that earn similar incomes. Punch in some information like income range and marital status, and you get a range of tax cuts or increases for households similar to yours.