Food flavors across cultures and geography vary a lot. Some cuisines use a lot of scallion and ginger, whereas another might use a lot of onion and butter. Then again, everyone seems to use garlic. Yong-Yeol Ahn, et al. took a closer look at what makes food taste different, breaking ingredients into flavor compounds and examining what the ingredients had in common. A flavor network was the result:

Each node denotes an ingredient, the node color indicates food category, and node size reflects the ingredient prevalence in recipes. Two ingredients are connected if they share a significant number of flavor compounds, link thickness representing the number of shared compounds between the two ingredients. Adjacent links are bundled to reduce the clutter.

Mushrooms and liver are on the edges, out on their lonesome.

[Nature | Thanks, Elise]

Thanks for making this a memorable year, everyone. Happy holidays!

After a chat with his color deficient friends about how Vincent van Gogh’s paintings seem to appeal to all eyes, Kazunori Asada used visual filters to see how the paintings looked to the colorblind. The experiment produced some interesting results and musings:

Was van Gogh partially color vision deficiency (anomalous trichromat)? Perhaps using a strong color vision deficiency (dichromat) simulation was the wrong approach. How about carrying out the simulation by removing the middle portion of normal color vision, maybe then I could see van Gogh’s pictures in a better light?

The color choices for van Gogh’s popular paintings seem less out there with the filters. The greens in the sky of Starry Night, for example turn to yellows.

A colorblind van Gogh though? Probably not. Either way, don’t forget to pick your colors wisely. Asada has an easy-to-use tool to see what your own images look like to others.

[Asada’s memorandum]

AntiMap is an open source toolset that lets you record movements with your iPhone or Android phone. Originally developed as a way for snowboarders to record their movements and play the data back like a video game, the toolset was generalized for all outdoor activities.
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Carl Bialik, for The Wall Street Journal, reports on PSAs and the use of scary numbers:

The Ad Council usually avoids statistics in PSAs. “We know from our experience that effective advertising has to have an emotional component and statistics-based campaigns can be very rational,” Conlon said. “We’ve also found that people tend not to believe statistics.”

And sometimes they just don’t care much about them. “When we were developing our underage drinking prevention campaign,” Conlon recalled, “we found that it doesn’t resonate with parents to learn about how many children are drinking underage. It’s too easy for them to say ‘it’s not my child.’ We found that it was much more compelling to include a statistic that was more about the consequences of underage drinking: Those who start drinking before age 15 are six times more likely to have alcohol problems as adults than those who start drinking at age 21 or older.”

The well-known Stalin quote comes to mind.

[The Numbers Guy]

Score.
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Stop global warming. Decrease the National Science Foundation’s R&D budget. It’s so easy. More lessons on correlation and causation found here.

Facebook logs and saves a lot of data about you and what you do on their site. This shouldn’t be surprising given the more time people spend on Facebook, the greater the cash flow, but just how much data do they store? Austrian law student Max Schrems, because European law states that citizens can do this, requested all the data Facebook had about him. He got back a CD with 1,222 PDF files.
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Charts and graphs are great, because they can let you see a pattern that you might not see in a spreadsheet, but they only work when you use the actual data. Fox News isn’t doing themselves any favors by putting up this chart. It shows the recently announced drop in unemployment rate to 8.6 percent as a non-change.
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Transportation check-ins on foursquare. This is from this past Thanksgiving, but relevant again with Christmas around the corner. White represents check-ins on highways and roads (really?), orange is for trains, and blue is of course is same-day check-ins at airports. I guess no one takes Amtrak cross-country anymore.

[foursquare via datavis]

Transparency International released annual data for the Corruption Perceptions Index. The Economist plotted it against the UN’s Human Development Index:

Comparing the corruption index with the UN’s Human Development Index (a measure combining health, wealth and education), demonstrates an interesting connection. When the corruption index is between approximately 2.0 and 4.0 there appears to be little relationship with the human development index, but as it rises beyond 4.0 a stronger connection can be seen. Outliers include small but well-run poorer countries such as Bhutan and Cape Verde, while Greece and Italy stand out among the richer countries.

Interesting, although I suspect that the indices have some factors in common.

[The Economist via @mikeloukides]

It’s always nice to hear from the people who are the best at what they do. Data visualization studio, Interactive Things has an interview series going, Substratum, that asks designers and artists the same set of questions. The most recent issue is with Amanda Cox from The New York Times and Nicholas Felton, who you know from his annual Feltron reports and now at Facebook.

Amanda Cox, the chart marker, on how her work and goals have changed over the years:

At one point — I call it my impressionist phase — I was really interested in making things abstract but interesting and beautiful. And then I had a “curves are fun” phase for a while where I was really into curved things. And then I had an “intentional simplicity” phase for a while, like, how stripped down can you make something and have it still be interesting? I don’t know what my current phase is, but it’s kind of an “aspirational reporting” phase. I’m not that great of a reporter yet, but I’m thinking a lot about how we can stop using the same information that’s already on the Internet and just remix that. I want to start working with more, deeper information, information that’s harder to surface.

This is coming from someone who has won an international award for being the best. So much to learn, I have.

[Substratum]

As a resident at Eyebeam, Alexander Chen visualizes the first Prelude from Bach’s Cello Suites:

Using the mathematics behind string length and pitch, it came from a simple idea: what if all the notes were drawn as strings? Instead of a stream of classical notation on a page, this interactive project highlights the music’s underlying structure and subtle shifts.

Interaction version here. Charming.

[Alexander Chen via @blprnt]