• Dynamic sculpture brings weather into airport

    December 27, 2010  |  Data Art

    ecloud in the airport

    eCLOUD, conceived by Aaron Koblin, Nik Hafermaas, and Dan Goods, displays weather data from the National Oceanic and Atmospheric Administration (NOAA) via specialized liquid crystal displays, suspended from the ceilings of the San Jose International Airport.
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  • Minimalised consumer products

    December 23, 2010  |  Data Art

    nutella brand minimalist

    Antrepo wonders what it might be like if the labels on consumer products were stripped of all their flare and were to go semi-minimal and completely minimal.

    Obviously some of them wouldn't work from a practical perspective, because well, customers would have no idea what the product was, but from an information design and visualization perspective, it's fun to think about. Strip out the extraneous until you can strip no more.

    [Antrepo via theusrus]

  • Growth in visual culture via science magazine pages

    December 15, 2010  |  Data Art

    Popular science magazine

    William Huber, Tara Zepel, and Lev Manovich compare magazine pages of Science and Popular Science.

    In the first three decades of its publication, Popular Science used very few images. In fact, if we compare Science and Popular Science in the 1880s, we discover that the latter was at first more “scientific.” While photographs and illustrations accompanied Science articles, Popular Science used only occasional graphs. Over time the two magazines reverse their visual strategies. Science banishes photographs and illustrations as they come to be considered inappropriate for proper scientific discourse. Popular Science moves in reverse direction becoming highly visual.

    Above are pages from Popular Science from 1872 to 2007.
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  • Superheroes minimalized

    December 10, 2010  |  Data Art

    minimalism heroes

    Fabian Gonzalez goes minimalistic on superheroes. I like the Teenage Mutant Ninja Turtles. I used to pretend I was Donatello, the smart inventer one. Although in retrospect I'm probably more like Raphael, the moody and irritable one. Available in print and shirt form. [Society6 via Data Pointed]

  • Picturing social order

    December 9, 2010  |  Data Art

    Shirt of social order

    Gareth Holt designed several charts and graphs for Rank: picturing the social order 1516-2009 at the Leeds Art Gallery. Above is a divided shirt that depicts the social classes. I guess you could call it a stacked shirt chart. There's another that uses forks. I call it picture with forks. [Gareth Holt via We Love Datavis]

  • Algorithmic architecture with balls

    November 12, 2010  |  Data Art

    Algorithmic architecture

    Geometric Death Frequency-141 by Federico Diaz is an algorithm-based sculpture at MASS MoCA, made up of 420,000 robotically-placed black spheres.
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  • History of the Iraq War through Wikipedia edits

    September 16, 2010  |  Data Art

    Iraq Wikipedia edits in book form

    Through high school and sometimes beyond we're taught history as absolute fact. It's in the books so it happened. A lot of it is true, but there are often disagreements, as history can look different depending on your point of view. In The Iraq War: A Historiography of Wikipedia Changelogs, James Bridle places 12,000 changes and almost 7,000 pages for the corresponding Wikipedia entry in book form. Sometimes history isn't so straightforward. [booktwo]

  • A house that knows when you’re happy and sad

    August 30, 2010  |  Data Art, Self-surveillance

    Happylife by Auger Loizeau

    Auger Loizeau, in collaboration with Reyer Zwiggelaar and Bashar Al-Rjoub, describe their smart-home project Happylife. It monitors facial expressions and movements to estimate a family's mood, displayed via four glowing orbs on the wall, one for each member.
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  • Two-minute journey through the history of cinema

    July 29, 2010  |  Data Art

    Motion graphic on the history of film

    35mm, a short film by Sarah Biermann, Torsten Strer, Felix Meyer, and Pascal Monaco, strips 35 movies to their simplest form and cleverly strings them together in a set of motion graphics. From Singin' in the Rain, Titanic, and Jaws to Fight Club, Star Wars, and Terminator.

    Can you figure out all the movies portrayed? Test your movie wits in the video below. I only recognized two the first time around. I suck.
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  • Military budget contextualized with CGI tanks

    July 27, 2010  |  Data Art

    Cost of war through tanks

    It's no secret. The US military gets a lot of funding for manpower, weapons, equipment, security, so and so forth. Do you know how much money they'll have received come end of this year? I could tell you how many billions of dollars they get, or go the other way, and contextualize it by telling you what you could buy with that money - like the number of mosquito nets or pounds of food for the homeless.

    Moustache, a design and direction studio, goes with the context option in their short CGI video Softwar. Thousands of tanks are piled on top of each other to show just how much the military budget can buy.
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  • Field guide to typographic moustaches

    July 23, 2010  |  Data Art

    Typestaches infographic

    Sure, why not, let's make it a hairy Friday. From Tor Weeks: a series of moustaches styled by their typographic counterpart, aka typestaches. The big and bold typefaces like Federal and Wide Latin get thick and burly moustaches, while the more delicate typefaces, get thin and curvy.

    If only facial hair were as easy to select as fonts. I'd get myself a 24pt Mr. Century Ultra.

    Grab a print for yourself here.

    [via kottke]

  • Augmented reality taken to the extreme

    July 8, 2010  |  Data Art

    Augmented (hyper)reality

    Augmented reality, a computer trick to place the virtual within the real world, has barely cracked its way into most of our lives, but it's easy to see how such a tool could get out of hand. At some point, we're going to have to raise our hands and say, "Okay, stop that's enough information. My head hurts." Or will we? Recent architecture grad Keiichi Matsuda explores the possibility of an augmented (hyper)reality where information is everywhere you go (video below). Continue Reading

  • Facts and figures of London life

    June 30, 2010  |  Data Art

    24 hours in London

    Field Design takes a look at a day in London:

    LDN24 is a new public art installation for the Museum of London. It draws filmic impressions and the facts and figures of London life into a picture of 24 hours in the life of the city. Statistics and statements from the web and a huge database are printed along the LED screen by the seconds' hand of a 24 hours clock. Weather, traffic and news updates, the Thames' tides, Tube updates and recent fire incidents are pulled live from numerous RSS feeds, Twitter and news portals.

    I can easily see myself standing there entranced by the display for a long while - if I were from London. What I really want is a big circular display like for a day in the life of Nathan.
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  • Music animation machine

    June 25, 2010  |  Data Art

    Debussy, Clair de lune

    Anyone can listen to music, but how can you see it? The Music Animation Machine plays music (ancient MIDI files) and displays it in real-time. On the vertical are notes and time runs on the horizontal. Here's Debussy's classic Clair de lune, otherwise known as that song from the Ocean's 11 through 13 soundtrack, where they all gather at the fountain and give a nod of recognition to each other. Continue Reading

  • Taxonomy of the iPhone

    June 23, 2010  |  Data Art

    iphoneMap2-Heidegger-01

    Ben Millen diagrams the reach of the iPhone in our everyday lives:

    These are not maps in any conventional sense, but rather diagramatic representations of the interconnected space of technology, capital, instrumental value, exchange value, social and environmental impact that surround the device.

    The tube map metaphor is a little worn, but this is subtle, so it's not so bad. There are two maps. One covers the mechanics of the phone while the second is more about how consumers use the phone. The former is the more interesting one.

    So who's going to do the map for my 2004 Samsung flip? It takes a lickin' but keeps on tickin'.

  • Graphical data fiction

    June 21, 2010  |  Data Art

    Graphical data fiction

    We like to talk about the stories in data. They are the information and meaning in the numbers, and are meant to represent truth. Artist Kim Asendorf turns this around a bit and uses a series of made-up visualization pieces to tell a fictional story. It is the story of John.

    John is a scientist working in a corrupt lab called Sumedicina in Durham, North Carolina. The lab is in the business of selling vaccines, which is all well and good, but the problem is that they're the ones creating and spreading the viruses that their vaccines fight against. John is the lead scientist who creates these viruses.

    His conscience gets the best of him though, and he destroys the highly dangerous virus they are are currently working on and then quits. Sumedicina is having none of it. John is on the run. This is his story in data.

  • Twitter parade in your honor

    June 11, 2010  |  Data Art

    This is completely useless in the good sort of way. Twitter parade, by KDDI, takes your followers and throws a parade for you. You can also enter a keyword instead of a username. As the people march, their recent tweets are displayed.

    Thanks for the giant statue with the top half of my head, guys. Truly, the honor is all mine.

    [via datavisualization]

  • Review: Data Flow 2, Visualizing Information in Graphic Design

    June 8, 2010  |  Data Art, Reviews

    Review: Data Flow 2

    Note: The review copy I received is in French. Unfortunately, I only understand English. So this review is actually my impression of Data Flow: Design Graphique et Visualisation D'Informations as a picture book with titles, which in a way it kind of is anyways.

    Last year, the first Data Flow was published, featuring the data graphics of some fine designers. You can read my review of it here. Basically, if you liked the first Data Flow and could use some more inspiration, you'll probably like this second edition. The two are really similar in layout and in the way the graphics are split up. The title is exactly the same, save the 2.
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  • Twitwee the Twitter cuckoo clock

    May 19, 2010  |  Data Art

    I love it when data, or in this case, tweets, finds itself in physical objects. There's no reason data needs to stay plastered on our computer screens. Embed in the physical world as much as possible, I say. Haroon Baig, a communication designer in Germany, uses a clock that he calls Twitwee to cuckoo every time a tweet comes in matching a given query.

    This would get annoying really fast as it is now, but with a more refined filter or event recognition, this could actually be pretty useful.

    See Twitwee in action below.
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  • Design of Frank Lloyd Wright’s Masterpiece

    May 18, 2010  |  Data Art

    In 1934, American architect Frank Lloyd Wright designed Fallingwater, a house built partly over a waterfall. A couple of years ago, Smithsonian Magazine listed Fallingwater as one of the 28 places to visit before you die. Cristobal Vila, who himself has a knack for pretty things, animates the imaginary design and construction of Wright's famous building.

    Watch it unfold in the animated video below. Warning: after watching, you will have a very strong urge to visit.
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Unless otherwise noted, graphics and words by me are licensed under Creative Commons BY-NC. Contact original authors for everything else.