Jared Pool had a chat with Andrew (multimedia) and Steve (graphics) at The New York Times. I’m sure you’re familiar with their work. They chat about the design process of the interactive pieces on The Times site like the transcript analyzer, the home run chart, and plenty of other specific examples. They also go into a bit about where they get inspiration from (e.g. old Fortune magazines, photographs, advertisements) as well as how they go about creating their more innovative pieces.

Keep in mind it’s on the User Interface Engineering blog, so it’s mostly focused on, well, the user interaction and design and less on where data comes from, the journalistic process, etc, but still, it’s a pretty good listen.

[via Visual Methods]

For the re-launch of the Microsoft Windows Live platform, Firstborn created a generative art installation taking thousands of smiling faces and placing them into a 3-D world. It was an outdoor installation (done in Processing) projected on a seven-story sphere, and I am sure it wowed a whole lot of people. It’s definitely amazing me, and all I’m seeing are screenshots and a demo.

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Interactive Travel Time and House Price Maps – Tom from Stamen recently announced some really slick mapping. They’re very attractive and very responsive. Sidenote: Look forward to a guest post from Tom in the near future.

175+ Data and Information Visualization Examples and Resources – Meryl has posted an extensive list of visualization examples and resources available online. Thanks for linking here, Meryl!

GPSed – A site that takes advantage of the data available from your mobile phone, mainly pictures and your GPS trace.

Visualizing the History of Living Spaces – Ivanov et al. discuss the challenges of visualizing motion data from 215 motions sensors in a large office building.

Virgil Griffith has created a series of graphs called Books that Make You Dumb. He correlates top books on FaceBook by school and the corresponding schools’ average SAT scores. Notice Freakonomics is pretty far to the right. Nice.

The graphs are of course aren’t really that statistical nor are they especially beautiful, but hey, just take it for what is it, and it’s kind of amusing. Plus, it’s a good example of how you can use data from different sources to find something interesting.

The thing about data is that it can be very convincing. Maybe it’s because it’s so hard to argue against numbers, or maybe it’s just that there’s so much of it. In any case, here’s six datasets that undoubtedly changed the way some people behave or showed us something that brought about a different way of thinking about things. Read More

Those of you who have been around since the beginning know that I am just obsessed with my pedometer. Albeit, lately, I haven’t felt inclined to go for a winter stroll in the below freezing weather. When I was keeping track of my steps though, one of the difficulties was staying consistent. Sometimes I would forget to wear my pedometer, while other times I would forget to record my steps.

I imagine Walker Tracker could help a bit in solving that second problem. I know it was always easier to make it to the gym when I knew one of my friends was going to meet me there. Walker Tracker is like that friend at the gym. The site lets you keep track of your steps as well as see how others are doing.

We’re trying to change the world. We’re trying to get you and us and everyone we know off the elevator and out of the car and onto the sidewalks and trails. We’re doing it one step at a time.
Get up, stand up and walk.

OK, maybe it’s a little hoorah, but if you feel like actually accomplishing a new year’s resolution this year, Walker Tracker could be a good place to start.

[via Web Worker Daily]

Warning: Tangent ahead, but I promise, there’s a point.

About a year ago, I went to my 6-month teeth checkup, and the dentist told me that I had a cavity on the bottom back left and another on the bottom back right. Since I was about two years overdue for a checkup (and didn’t floss every day), I wasn’t surprised.

One week later, I was back to get my fillings. I sat down in that terrifying chair that looks like something aliens use to probe specimens. The drilling began.

My teeth are really sensitive, so no matter how many shots of novocaine she injected (3 or 4), I still felt pain. Here’s how it went with the first filling. She drilled. I winced. She stopped. We took a short 1-minute break. She drilled. I winced. We took a break.

We went on like that for about 20 minutes — all the while she kept telling me it was a tiny cavity and that it shouldn’t hurt. Yeah, OK, whatever. Maybe if she actually stuck the needle in the nerve and not just some random place in my gums, it would have worked.

Anyways, she finally finished and suggested we put off the second filling until the next visit in six months. I thought to myself, “Uh, won’t my cavity just get worse in 6 months??” I was in enough pain already though (with beads of sweat to prove it) so I agreed despite my concerns.

I ended up missing that next appointment.
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In its continued efforts for absolute power over all information ever created in the world, Google will be hosting open-source scientific datasets at its research section. Here are the presentation slides from Google’s Jon Trowbridge.
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There’s a nice real-time (?) map on (suit)men Entertainment. Click the black rectangle on the bottom left-hand corner to see the entire map. Supposedly the map is powered by Google, so I want to say it’s showing search data or something of that sort. To be honest though, I have no clue.

Whenever a number pops up, there’s a line that connects some country to Japan (the site’s origin), so I’m guessing they’re mapping something like accesses to the (suit)men site from whatever country. Oh well, no matter. Look how pretty. It’s entertainment, and it managed to entertain me for a good few minutes (which says alot with my short attention span :). Does anyone know what they’re showing?

[via Simple Complexity]

Iraq Body Count keeps track of civilian deaths by cross checking media reports and hospital, morgue, and NGO figures. Along with a widget counter that you can post on your blog or site, IBC also makes their database available for download.

Systematically extracted details about deadly incidents and the individuals killed in them are stored with every entry in the database. The minimum details always extracted are the number killed, where, and when.

The data comes in two sets — incident reports and individuals who have lost their lives — in the form of CSV files.

Albeit, the data is a little depressing, but still very necessary.

You’ve probably already noticed (unless you’re subscribed to the feed), but FlowingData now has a brand new look and feel. It started with a tweak, and then I just got carried away. I think it took a turn for the best though. Some of the changes include a new logo, featured articles, and more focus on visualization. Read More

Jeffrey Heer et al. writes in Design Considerations for Collaborative Visual Analytics about a couple of models for social visualization — information visualization reference model and the sensemaking model. The former is a simpler, more straightforward model starting with raw data -> processed data -> visual structures -> actual visualization; while the latter is a bit more complicated with similar stages but with feedback loops. My main reflections weren’t so much with the ideas proposed by the paper. Rather, I’m more interested in what was not mentioned — not only in this paper but in other social data analysis papers.

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On We Make Money Not Art is a summary of Jose-Luis’s talk on some of the history of visualizing data and some more modern pieces.

It begins with Charles Joseph Minard’s march of Napoleon and then onto John Snow’s cholera map, both of which were made ever so popular by Tufte. By now, if you’ve cracked open an infovis book, you’ve seen both.

Moving on to more modern stuff, there’s The Dumpster, 10×10, Listening Post among some other interesting pieces. If you’re new to visualization, it’s a good “intro to vis” post. If you’ve been around for a while, you’ve probably seen most of the examples, but there might be a couple you haven’t.

On a semi-related note, there’s also an interview with Miguel on WMMNA discussing our humanflows project. Thanks, Regine!

This graphic is from The New York Times graphics department. It matches the FlowingData colors. That is all. Oh, and it’s excellent, but that’s a given, right? Note the use of each bar’s two dimensions.

Data360 is a social data site similar to Swivel and Many Eyes but without any of the bells and whistles. It markets itself as a site designed for

• organizational reporting
• intelligence databases, and
• collaborative analysis

Unfortunately, Data360 fails in the above three categories, and here are my 8 reasons why. Read More

I’m not a music downloading monster like some, so I personally haven’t had any problems organizing and finding my music. However, for those who are downloading music every day (legally, I hope), I can imagine your music collection is getting quite out of hand. You probably can’t even remember what songs and albums you’ve downloaded over the past two years. What’s that High School Musical album doing there?

That’s why this tool is in development. I haven’t tried it out, but from the screenshots, it looks like there is potential. Although it looks like the screen can get cluttered very quickly, and with too many songs, you might just end up with a big bubble cloud. If that actually is a problem, it kind of defeats the tool’s purpose since I don’t really care about visualizing only 20 songs. But like I said, I haven’t tried it.

In the usual fashion that we’ve come to expect from Stamen Design, Digg Pics shows us what pictures are being dugg as well as provides an opportunity to discover new pictures. As with its Digg Labs siblings, Digg Pics offers three streams — popular, newly submitted, and all activity.

I always like to read posts that discuss the experimental phases and how a viz came to whatever it is; it’s kind of like when you know the history of a piece of art, you can appreciate it more. Eric goes into the design process at the Stamen blog. There’s screenshots of Stamen’s experimental layouts, and from what I see on Digg, I’d say everything came together quite nicely.

The picture streams are split up into Digg categories where the number of times a picture is repeated represents the number of times the picture was recently dugg. The display is clean and smooth, and of course the interaction is quite nice (and useful).

Another good one, Stamen!

Andrew Vande Moere writes in his 2005 paper Form Follows Data:

[W]e can perceive a current trend in portable input and output devices that trace, store and make users aware of a rich set of informational sources. So-called ubiquitous computing is moving into the direction of location-based information awareness, enabling users to both access and author dynamic datasets based upon a geographical context through electronic communication media.

With this growing trend of streaming data in mind, Andrew goes on to say

Building automation services enable spaces to react to dynamic, physical conditions or external data sources in real time. Currently, these interactions are programmed by engineers, and imply simple action-reaction rules, such as the control of lights, security or climate control: what would be possible if these tools are offered to designers, concerned with the emotional experience of people?

If you’re an engineer, you might be wondering, “Hey! Why can’t I design ambient systems? I care about emotional experience too. Somewhat. Sort of.” As someone who majored in electrical engineering and computer science and still works with a lot of engineer types, I will tell you why. Engineers are generally not very good at the visual display of data. To engineers, the most beautiful part of a data visualization installation might be the hardware, elegant code, or the hours spent tweaking the system’s logic. Engineers are fascinated with the guts of the system.

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I love to look at how the current week’s movies are doing at the box office. I’m not really sure what it is. I think it’s kind of like a gauge for what good movies are out; or maybe I’m just constantly amazed by the millions of dollars that movies make; or I think it could be my addiction to numbers?

Something that always strikes me as interesting is how movies are always breaking records at the box office. So and so movie just broke the record for most money made over a single weekend or a month or a long holiday weekend or for a Thursday when there was at least 2 inches of rain and a dog skateboarded two miles.

I took a look at the 25 highest grossing American films, adjusted for inflation. I’m so tired of hearing statistics for money comparisons over time that don’t adjust for inflation. Wow, gasoline prices are at an all time high. Well guess what — so are milk, bread, burgers, televisions, light bulbs, paper, cars, and everything else on the planet. Sorry, slight tangent.

Download the Wallpaper

As an early birthday gift to you, here are my results in wallpaper form:

1024 x 768

1280 x 1024

1440 x 900

The movie titles are color coded for genre and the higher grossing films are in a larger font. Drama and action/adventure clearly dominate — The hills are alive. Luke, I am your father. Phone home. I’ll never go hungry again.

Surprisingly (at least to me), only 7 of the top 25 films won the Oscar for best picture and of the top 50, only 9 won best picture.

With the start of a new year, it only seems right to open with John Tukey and his work with interactive graphics. In 1972, when computers were giant and screens were green, John Tukey came up with PRIM-9, the first program to use interactive dynamic graphics to explore multivariate data. PRIM-9 allowed picturing, rotation, isolation, and masking. In other words, PRIM-9 allowed users to see multivariate data from different angles and identify structures in a dataset that might otherwise have gone undiscovered (kind of like the more recent GGobi).

To fully appreciate the revolutionary nature of PRIM-9 one has to view it against the backdrop of its time. When Statistics was widely taken to be synonymous with inference and hypotheses testing, PRIM-9 was a purely descriptive instrument designed for data exploration. When statistics research meant research in statistical theory, employing the tools of mathematics, the research content of PRIM-9 was in the area of computer-human interfaces, drawing on tools from computer science. When the product of statistical research was theorems published in journals, PRIM-9 was a program documented in a movie.

John W. Tukey’s Work on Interactive Graphics. The Annals of Statistics, Vol. 30 No. 6. 2002.

Luckily, you can appreciate Tukey’s work here at the ASA video library. It’s even more amazing when you consider where computers and technology were at back then. Who knows where Statistics would be if it weren’t for Tukey and his brilliance and creativity. I can’t imagine, or maybe I just don’t want to.

Tukey was someone who truly understood data — structure, patterns, and what to look for — and because of that, he was able to create something amazing.