Matthew Cusick uses maps as his brush and palette in a series of portraits and landscapes. Pretty.
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Imagine that those with immigrants in their family tree left the country. Almost everyone, basically.
I wanted to see how daily patterns emerge at the individual level and how a person’s entire day plays out. So I simulated 1,000 of them.
A visual history of a growing United States.
30 is the new 20. Wait. 40 is the new …
